Tommy McCook

 ( 1927 Births ) 

He was raised by his mother, who worked in the kitchen of a beachfront music club in Kingston. There, McCook sometimes watched bands rehearse, an experience he later cited as fostering an early interest in music. He began learning the tenor saxophone at age eleven, after his mother enrolled him at the Alpha Cottage School in 1938.

In 1954, he left for an engagement in Nassau, Bahamas, after which he ended up in Miami, Florida, and it was here that McCook first heard John Coltrane, a major influence on his playing. McCook would later call jazz his "first love" and additionally cite Coleman Hawkins, Sonny Rollins, Lester Young, and Ornette Coleman as influences.

McCook returned to Jamaica in early 1962, where he was approached by a few local record producer to do some recordings. Eventually, he consented to record a jazz session for Clement Dodd, which was issued on the album Jazz Jamaica. His first ska recording was an adaptation of Ernest Gold's "Exodus", recorded in November 1963 with musicians who would soon make up the Skatalites.

In 1968, he led Tommy McCook & The Supersonics, featuring bassist Jackie Jackson and drummer Paul Douglas, who would later become the rhythm section for Toots and the Maytals, when the era of reggae emerged from rocksteady.

During the 1960s and 1970s, McCook recorded with the majority of prominent reggae artists of the era, working particularly with producers Clement "Coxsone" Dodd as well as Bunny Lee, and his house band, The Aggrovators, as well as being featured prominently in the recordings of Yabby You and the Prophets (most notably on version sides and extended ), all while still performing and recording with the variety of line ups under the Skatalites name.

In 1978, Tommy McCook made a brief cameo in the film Rockers directed by Theodoros Bafaloukos. He was also part of the Rockers All Stars, the group responsible for the film's instrumental music.

After a heart attack in 1995, McCook temporarily withdrew from touring with the reformed Skatalites, a change which became permanent in 1996. He recorded on the band's albums through the mid-1990s until a triple-bypass surgery kept him from the Ball of Fire (1997) sessions.